NO MUSIC. Use @Image1 as the masked hooded assassin reference and @Image2 as the blonde cybernetic fighter reference. Preserve both characters exactly: faces, hair, masks, body proportions, clothing, metallic arm, colors, accessories, silhouettes. 0.00–2.20 Extreme-wide ruined industrial rooftop at night, rain-slick concrete, vents, pipes, railings, drifting steam. Both fighters stand 20 meters apart. Camera begins inches above a puddle on a 14mm ultra-wide lens, rushing forward between them. The blonde fighter lowers her center of gravity, cybernetic gold arm rotating backward with mechanical weight. The hooded assassin remains nearly still, only coat tails and hood reacting to wind. Camera violently overshoots the midpoint, whip-pans back to the assassin’s glowing red eyes. Brief tension hold. 2.20–4.20 The blonde fighter explodes forward into a sprint: hard rear-foot plant, torso pitched forward, boots hammering wet concrete, hair and tank top lagging behind acceleration. Camera snaps sideways into low-angle tracking beside her legs, puddles bursting outward with each step. She crosses from tiny background figure to nearly filling frame in under one second. Assassin anticipates, pivots one foot backward, shoulders twisting before movement. 4.20–6.20 At the final instant the assassin launches diagonally up a nearby wall, one boot plants against concrete, knees compress, then extend explosively. Coat flares from inertia. Camera whip-tilts vertically and rolls 30 degrees trying to follow. Blonde fighter’s cybernetic fist tears through the space he occupied, creating a violent air displacement and smashing a rooftop vent behind him. 3-frame black/red graphic impact flash, then immediate return to realism with metal fragments spinning past lens. 6.20–8.40 Assassin rebounds from the wall toward her. Extreme close-up on his boot rushing enormous toward camera, then camera pull-back reveals a spinning aerial kick. She braces with the gold forearm: elbow bends under impact, shoulder rotates backward, boots skid half a meter across wet concrete. Camera jolts hard on contact, overshoots sideways, corrects late. Sparks scrape from the metallic arm and water sprays around her boots. 8.40–10.50 She traps his ankle with the cybernetic hand and yanks downward. His body does not teleport into position: hips are pulled first, torso follows, hood and coat lag, then he twists in midair to avoid being slammed flat. He plants one hand on the ground, compresses through shoulder and elbow, cartwheels around her grip and lands low. Camera rotates independently around both bodies, changing from overhead vertical perspective to ground-level wide angle within the move. 10.50–12.50 Half-second stare-down. Assassin crouched low, red eyes locked on her. Blonde fighter exhales, tiny facial twitch, gold fingers tighten. Camera creeps slowly toward them—then both accelerate simultaneously. Assassin slides beneath a swinging metal-arm hook, coat nearly touching the ground. Her fist continues from momentum into a railing, bending it outward instead of stopping unnaturally. 12.50–15.00 Assassin plants both feet, reverses direction explosively, and drives a shoulder strike into her torso. Her body folds around the impact, boots leave the ground, then she crashes backward through a rooftop door. Door hinges rip loose, debris and steam burst into the corridor. Camera is pulled through the doorway with her, violently rolling, then snaps back toward the opening as the assassin becomes a dark silhouette framed by rain and steam. Final rapid push-in to glowing red eyes, cut to black on the acceleration. Motion rules: aggressive wide-angle perspective, nonlinear acceleration, whip pans, whip tilts, camera overshoot and correction, rapid scale changes, strong directional motion blur while keeping fighters readable, realistic foot plants, i